Submissions from 2019
Autumn Willow.jpg, Carol Chase
Lake Hiawatha I.jpg, Carol Chase
Spring Willow, Carol Chase
Summer Willow, Carol Chase
Winter Willow, Carol Chase
A_Theme_Is_Not_An_Exhibition.gif, Todd Deutsch
Accumulation: New work by Monica Rudquist and Judy Onofrio, Monica Rudquist
Submissions from 2018
Beyond survival: Public support of the arts and humanities: Shaping the Change., Amy Hamlin
Blindness and vision: Max Beckmann's blid man's buff as an allegory of history., Amy Hamlin
Kara Walker’s Mourning Play., Amy Hamlin
CAA conversations: Art history that [Audio podcast episode]., Amy Hamlin and Karen Leader
Reproducing alterity: Photography, illustration, and the maintenance of Ainu stereotypes in Meiki and Taisho Japan., Christina Spiker
The Shôjo and the indigenous body: Representations of Ainu women in Japan's samurai spirits, 1993-2008., Christina Spiker
Vaguely oriental: Engineering Asian architecture in fantasy MMORPGs., Christina Spiker
Western women and the poetry of Japanese crepe-paper books (西洋女性とちりめん本の詩について)., Christina Spiker
Beyond survival: Public support of the arts and humanities: Generation wipeout., Christina Spiker and K. Galvin
Submissions from 2017
Approaching Intellectual Emancipation: Critical Reading in Art, Art History, and Wikipedia, Amy Hamlin
Kara Walker's Mourning Play, Amy Hamlin
The Aesthetics of Transcendence: William H. Johnson's Jesus and the Three Marys, Amy Hamlin
From Collaboration to Community: Art History That, Amy Hamlin and Karen Leader
Submissions from 2016
An (in)ability to Mourn: Kara Walker's Allegory of History, Amy Hamlin
Submissions from 2014
Figuring Redemption: Christianity and Modernity in Max Beckmann's Resurrections, Amy Hamlin
Art History That! A Manifesto for the Future of a Discipline, Amy Hamlin and Karen Leader
Submissions from 2012
'A Heuristic Event': Reconsidering the Problem of the Johnsian Conversation, Amy Hamlin
The Conditions of Interpretation: A Reception History of the Synagogue by Max Beckmann, Amy Hamlin
Submissions from 2011
Regarding the Catherine Portrait: An Interview with Patricia Olson, Amy Hamlin